Journalism
Full Writing Portfolio also available on my Substack.
The Saint – the independent voice of the St Andrews community since 1997.
- Resuscitating Cinema-Going: The cinema’s place in a world of streaming (Oct. 2024)
- Champagne Socialists: Practice What You Preach! (Oct. 2024)
- The Joys of Being a Ghoul: Let me validate your macabre side (Oct. 2024)
- Beyond Cultural Appropriation (Nov. 2024)
- Four Years Here and You Saw Nothing? (Nov. 2024)
- The Myth of the Man of Reason (Feb. 2025)
- Devil’s Advocate: Is Love Worth the Hassle? (Feb. 2025)
- Riviera on the North Sea (March 2025)
- What’s Your Diss On? (April 2025)
- I Want to be a Mum with Dad Lore (April 2025)
Counterblast UK – a journal of criticism and ideas run by a group of left-wing students at Scottish Universities.
Reported from Nicaragua on the country’s political climate, blending analysis with human-interest storytelling:
- From Revolution to Dissent (Feb. 2025)
AGORA – St Andrews student-run magazine dedicated to socially oriented philosophy.
Contributed original essays that bring philosophy into dialogue with everyday culture, making complex ideas accessible and engaging:
- A Philosophical Enquiry on NPCs (March 2024)
Haute UK – fashion and arts magazine.
Contributed both feature articles and runway event coverage:
- Starfields 2024: Where Energy Meets Expression (Sept. 2024)
- The Italian Influence on St Andrews Fashion: A Year of Timeless Beauty (Nov. 2024)
- FS 2025: Fashion as a Second Skin (Feb. 2025)
- Daedalus: DONT WALK 2025 (March 2025)
Academia.edu
First academic piece, Defending the Philosophical Value of Voltaire’s Candide, published in the first issue of Projects in Philosophy (August 2025), a scholarly journal by King’s College London (eds. Theodore Radvanyi).
After the Credits
Ongoing Substack series featuring essays on film.
- Personal Identity in Inside Out 2 (Aug. 2024)
- The Substance succeeded where Barbie failed (Oct. 2024)
- Anora: A Modern Cinderella Tale Without the Fairytale Ending (Feb. 2025)
Reviews of After the Credits

Nadia Tafuri
“Excellent work, intelligent reflection and capturing narrative. I enjoyed reading it! Thank you”

Gautier Bartoli
“Nice literary analysis of the film 👌”